Sunday, March 17, 2013

How To Succeed In The Music Business - Build Your Fans First



how to succeed
If you’re an artist  waiting to be “discovered” or hoping to be given a record deal based on your perceived talent or the “uniqueness” of your sound, it’s time to educate yourself on the basics of the music business. The belief that major labels are LOOKING to sign new artists because of their talent is very far from the truth, and the sooner a person who desires to be an entertainer learns this, the better.

The process of getting “on” doesn’t require a co-sign or “hook-up” from an established artist or record label executive. You get on by building relationships with people who like your music, support it by buying it, and actually listen to it – these people are called FANS. When you get enough fans talking about you and your music, you’ve created a buzz. 


If you’re able to create a buzz around your music........

Friday, March 15, 2013

How to Succeed With Twitter, by Tony Guidry


How To Succeed With Twitter
By, Tony Guidry (www.aScratchyThroat.com)
twitter iconMarch 2013
Twitter is an essential tool in your social media strategy. With 250 million unique users monthly, and over 500 million registered users, this is a platform where you definitely need to establish your presence. 

Today our focus is on the best ways to use twitter to reach people who share your profession or area of interest. In other words, we’ll be focusing on how you can use twitter to interact with people in the music industry, in order to learn from the professionals.

I chose to start by sharing with you ways to interact with ‘decision-makers’ and people who influence the music industry because for most aspiring artists there is a NEED to be educated about the business of music.

You may want to start by........ 



Sunday, March 10, 2013

Wendy Day’s Most Valuable Article About Securing Radio Play


By, Wendy Day (www.SlavesNoMore.com music industry how-to site coming soon…)
Before you read this article, please make sure you’ve already read this primer: http://bit.ly/100VB2r about the basics of securing radio spins.
Radio is still the most misunderstood aspect of this industry. I see people lose tens of thousands of dollars constantly in this industry because they either trust the wrong radio promoters or they don’t know what they are doing. I can’t teach you whom to trust, but I can tell you how I successfully pursue radio for my artists.
radio-money
I am NOT a radio promoter, I am a consultant. I help people start labels and make money with their music, so one of the many things I do is hire and interact with radio promoters. I have relationships with 10 or 12 different top independent radio promotion people all across the country. I trust them. They have all delivered results for my clients in the recent past. But just because they do a great job for me doesn’t mean they will do a great job for you. [I protect my connections at radio, so if I don't know you well, I won't share an introduction with you. Don't even ask!]
There are MANY variables with radio: time of year, how crowded the radio market is, money, your song, sound, subject matter, money, tempo, features, who’s behind it, the artist, work ethic, money, how established the artist is, how likable the artist is, how likable and knowledgable you are, money, relationships, power, experience, catchiness, money, frequency of your releases, your money, their money, competing labels’ money, etc.
I’m going to assume you’ve done these things before you start spending money at radio:
1. You’ve gotten your single hot on the streets and in the clubs in your region (not just your city, but in the cities that are within a 5 hour driving radius of where you or your artist live) because..........

Friday, March 8, 2013

Radio Spins, by Wendy Day


By, Wendy Day from Rap Coalition (www.WendyDay.com)

I have been consulting independent urban record labels and artists for many years now, and the most misunderstood aspect of this industry is radio. So few understand how radio really works, and an even smaller amount of indie labels and artists understand how to get their records played at radio. Because of the lack of information and knowledge, radio promotion remains an area where one can lose a large amount of money very quickly. And most do.

I have a friend who paid $25,000 to a radio promoter on the recommendation of a popular radio host at a local station in Detroit. My friend did not receive one spin anywhere in the country. He was eventually told the single did not research well and that it was not a radio single. It was too late in the life of the single to hire anyone else. Could he have been told that prior to spending the $25,000? Provided it was true, yes. My guess is that he was taken for a ride and that the radio promoter (whose name I never even heard before), and the guy who had referred the scam “promoter,” made a quick come up on $25,000 for no work. There are two other folks I know who hired a radio promoter in Atlanta who is known for jerking people, and one lost $25,000 and the other lost $15,000. That promoter now works for a major label, so he’s fine financially, but these two labels are out a large portion of their budget for no spins whatsoever. Now they are looking to break bones.

Just last month, I got a call from a guy in the South who has invested in a project, but is totally clueless about the music industry. He name dropped some people in the industry who are excellent at what they do at radio, but not for people like him. When I tried to explain how it all worked, my answer did not fit his vision of how he wanted it to work and he disappeared quickly off the phone. I imagine he will soon be parted from even more of his money by folks who pick up on what he wants to hear, and tell it to him. What is it about this industry that makes folks act like idiots? As I pull up the BDS to see what spins his artist is getting, I see he still hasn’t figured it out. Sadly, the artist has placed his career in this guy’s hands. Who really loses? The artist.

There are quite a few legitimate radio promotion people and companies out there....

Wednesday, February 27, 2013

Marketing Yourself As An Artist, by Wendy Day

written by Wendy Day (wendyday.com)

Marketing is the overall image and awareness that is put forth by your brand as you advertise, promote, do interviews and basically spread the word about your music (which is your product). One of the keys is to know exactly who will buy your music, and tailor your marketing campaign to them. The best method to draw in fans is “word of mouth,” so therefore your goal should always be to spark positive conversation (word of mouth) about you and your music.

Who Is Your Potential Fan?

Taking it outside of music for a minute, can we all agree that the person who shops at K-Mart is different from the person who shops at Neiman Marcus? The person who drives a Hyundai, may have different interests from the person driving a Bentley? So back to music now—the person who is listening to or buying Justin Bieber’s music is different from the person who supports Trae. Souljah Boy is a younger audience, more pop music, radio, and internet driven, while Trae makes music to ride and/or smoke to—meaning the fan is older and probably more likely to be male. They are also more likely to buy a CD at the local Swap Meet or the Car Wash, while a Bieber fan may be more likely to download his music to an iPod, smartphone, or MP3 player, or buy the CD at the Best Buy next to the Mall for $9.99.

So, if I was marketing a young pop artist, I might try to book him on Nickelodeon shows and set up a high school or Mall tour. With a rapper who doesn’t appeal to a teenage demographic, I’d probably do more of a college tour, and club dates reaching a 21 and older crowd. So, it’s important to know who is buying your music. You need to be able to figure out the demographic for your music or your song, and that will let you know the direction your marketing needs to take. If you are not able to determine who your fan base is yourself, you need to find someone around you who can. But they better be right. If you are making music that appeals to white skateboard twenty-something kids and you market to young inner city teens, you are fucked in the gate!

When I was out on the road with BloodRaw in February of ’08, I kept dragging him to college campuses because he makes anthem type party raps, and he kept telling me’ “Let’s go to the ‘Hood.“ It’s not that one is right and one is wrong, but that he knows who buys and listens to his music. In this case, we blitzed the ‘hoods first and then grew out to the college and party crowds. He had a perfect understanding of who his market is.

How Will You Reach Them?

Monday, February 25, 2013

Building A Buzz

by Wendy Day (WendyDay.com)

In the early 1980s, when rap started, there were few rappers and producers, so they had no difficulty standing out. Today, it seems everyone wants to be a rapper or a producer. I sometimes think we have more rappers than fans…

As more people want to get into the rap music business, it gets cheaper and easier to do so. The price of production equipment, recording equipment, and microphones has dropped substantially, making rapping and producing open to more people. And it has become easier than ever to get music to the masses by uploading finished songs to the internet to share them with the world on free social media pages (Twitter, YouTube, Facebook, etc), music sharing pages (SoundCloud, BandCamp, ReverbNation, etc) or inexpensive websites. Marketing has become cheaper and easier as one can sit at home and use the internet to market, promote, and drive traffic to one’s website or Tumblr page. Because of this, it seems that everyone wants to be a rapper.

Distributing music is easier than ever. Today, an artist is rare if his or her music is NOT for sale at iTunes or available for streaming at Pandora or Spotify. The playing field has been leveled. Any artists smart enough to market and promote their music, and who have some money (budget) to invest into themselves can build a career in music–or at least feed themselves with their music. Hopefully.

The days of needing a record label are over. So why do so many people still want to be signed to a record label?


Saturday, February 23, 2013

Building Social Media Relationships With Influencers


Reblogged from: BundlePost, courtesy of: Robert Caruso

A frequent question I get from my connections in the social graph is “How do I build a relationship with an influencer for my brand/product”. Though it is a common question, the answer isn’t as common.


Since I sincerely believe that social media marketing is a parallel universe to the real world, I always take a step back and consider what we do in real life. What are the steps we would take in our local offline environment to accomplish this? What adjustments can/should we make within the social sphere to help us achieve what we are wanting to do.

First, we need to understand that social media marketing is NOT about you. You have to have a mindset of giving, providing value to others and a willingness to help them succeed.

Secondly. you need to clearly define what you hope to accomplish by building the relationship with the influencer. Review your product? Have a phone call? Share your link? There are many different goals one could have for wanting to build a relationship with someone specific within social media. know what yours is.

Once you have aligned your thinking with the first and second points above, you can then follow these steps to best position yourself for a relationship:

1) Identify – Be sure that the person/brand you are targeting for the relationship makes sense. Identify the person(s) that are best suited for your brand, product or service.

2) Observe & Document – Do your research. Make sure you know what they do, their website and blog locations. Monitor their social posts and conversations and take note of who they are as a person and what drives their conversations. Pay specific attention to the human/personal topics that they engage around and document the information.

Don’t rush the observation step. Take time to understand the influencer. Rushing will usually result in missing the important subtle things that are most important! This can take a week or a month, depending on the person. Take your time…

3) Engage – Once you understand the topic drivers and personality of your influencer, begin to engage with them. Specifically comment on their posts, share their content and facilitate meaningful conversations with that person. If they have a blog, share their articles and comment on them. Look for ways you can assist them by furthering their reach, introducing them to prospects and retweet their relevant content.

*Important – A big mistake made at this stage is to do too much too quickly. Do NOT like/share bomb. (don’t like 5 posts on their wall in a row or RT their last 4 posts, etc.) This can come across as stalking or an obvious ploy. Use common sense and ramp up these activities over several weeks or months.

4) Build – Build a relationship with the influencer through more and more frequent conversations.

5) Ask/Answer - Ask open-ended questions about them, their articles and their business. The goal here is to continue to further the relationship building, but also foster a climate where the influencer begins asking YOU questions about what yo do. This is the point you know you have earned the right to talk about what you do and what you would like from them.

*Important – DO NOT ask for anything at any point before this stage. You must do the work prior to requesting a call, review of your service or sharing of your content. Also, be sure that you continue steps 3, 4 and 5 on an ongoing basis. Don’t make the influencer feel as though they had a horrible one night stand and were played.

I cannot stress enough that patience in the entire process is crucial. If you follow these techniques and take it slow, you will develop influencer relationships that will bring value to them and benefit your brand.

Robert M. Caruso
@fondalo
Founder/CEO – Bundle Post

Wednesday, February 20, 2013

Increasing Your YouTube Views

www.techwelkin.com
Getting people to watch your videos on YouTube is a process. There is no one simple solution that’ll make your video go viral. First we have to realize that people upload 60 hours of video to YouTube EVERY MINUTE of EVERY DAY! Pause for a second….that’s an hour of video that just got uploaded to YouTube! It would take 8 years to watch the videos uploaded to YouTube just today.

There are over 500 million channels on YouTube. The site gets 800 million visitors per month and of course is accessible worldwide. YouTube Mobile gets 600 million views everyday. 500 YEARS of YouTube videos are watched everyday on Facebook alone. 100 million people take a social action on YouTube (likes, shares, comments, etc.) every week.

The first thing I’d like to point out about YouTube is that 70% of the traffic comes from outside the U.S.; this means that YouTube is truly a global force. Since this blog is written for the purpose of helping aspiring artists, our focus is going to be those 8 million people in the U.S. who visit YouTube every day. We’re not going to ignore the international market, but the truth is that most of you are on a limited budget and can’t afford the hundreds of thousands of dollars that a national ad campaign costs, much less the millions required for an international ad campaign. (To our readers outside the U.S. there is still pertinent info here.) Now let’s talk about the process of getting views.

There are several ways to get your video seen by more people. Here, at A Scratchy Throat we like to keep it simple yet effective. We assume that you’ve already created a YouTube account and named your channel. Once your account is setup and you have the video ready that you want to upload, the very first thing you’re going to do BEFORE uploading is rename the VIDEO FILE itself to contain relevant keywords about the content of the video. For example, a video name would be:

“cupid shuffle dance video.mov”

While your renamed video is uploading you can add your tags.....

Click here to read this whole article..... 

Monday, February 18, 2013

Using Social Media to Market Your Music


The primary focus of the blogs contained here at A Scratchy Throat  are to help you boost your social reach in today's online market. Every day, people use social networks to help them sell their music, get shows or sell merch. You can become one of these people with the right amount of research and determination. 

Negative people always know how to fail. They say YouTube doesn't work because you can buy views; or that Facebook doesn't give you a proper percentage of fan interaction; or that Twitter isn't a proper platform to market your songs. They tell you that Reverbnation and Soundcloud are like ghost-towns (nobody goes there). That MySpace is dead. Negative people say that nobody buys music anymore; and that everyone downloads their music for free. 

Negative people tell you these things because they actually believe them. It's your job to do your research and find out for yourself if what these negative people believe is true. 

Kendrick Lamar went platinum last year, and before you say it's because he's signed to a major label, Macklemore & Ryan Lewis are independent artists and their single Thrift Shop just went 3x platinum. 

It's your choice to make the most out of every networking opportunity that comes your way. Don't forget to look at your own expectations of social networks and decide HOW to approach promoting your music online. 

AN ONLINE PRESENCE IS NECESSARY FOR YOUR SUCCESS IN TODAY'S MUSIC INDUSTRY. 

So where do you start? What network do you use? Well, that depends on the kind of music you make and who you believe is your audience. Billions of people use social networks. Here's a list of the more popular ones for our purposes: 


Now before u choose the site with the most visitors


Click here to read the rest from A Scratchy Throat.....

Sunday, February 17, 2013

How To Increase Fans Through Facebook






"I can post my music to facebook and reach millions of people."



While it’s true that over a billion people visit facebook every month, you must have a strategy and plan in place if you’re trying to get a portion of them to actually view your page and listen to your music. There are tried and tested methods that will boost your exposure on Facebook. Today, we’re gonna look at the more basic ways to bring attention to your page and your music so that you can get more “likes” and “listens.”

First, just posting your music to your Facebook page and hoping that people listen is not enough. Posting a link to your song or your video on your friends' pages is NOT networking and DOESN’T work. (To be honest, when you post links to people’s pages or inbox them your link unannounced, it gets deleted - the reality is that most people aren’t going to your Soundcloud or Reverbnation link just because you post it on their page.) You have to establish a relationship with a person first in order for your networking efforts to be successful. Any unsolicited links you “give” them are considered SPAM!!! You don’t need to spam your music to gain new fans. You only need to learn how to use the social media tools Facebook makes available to you.

So I hope you understand that uploading your music on Facebook is only seen by the people you interact with--and you hope they listen to it. Your closer friends will probably like and comment on your music (they like everything you post anyway). You won’t engage many new people this way though-- and what’s the point in posting your music online if you’re not going to reach new people? Of course you could just stick to street & club promotions (which can be very effective), but what’s the purpose of making music if you’re not doing what you need to do in order to MAKE SURE that new people give it a listen?

Secondly, the reason you want Facebook "likes" is because they may eventually lead to sales, and in the BUSINESS of music, money needs to be made in some way shape or form. So whether you use your likes to ask people to buy your music, attend an event, or purchase a T-shirt or whatever it might be, you’ve got to find a way to make money from your craft if you’re in the music BUSINESS. If you’re someone who makes music just for the love or as a hobby, then this post AIN’T for you.

Now, for those artists, managers, or label owners, etc, who are interested in using Facebook to get seen and heard........let’s talk about the simplest ways to get facebook likes.


Click here to read the rest from A Scratchy Throat.....

Tuesday, February 12, 2013

How to Build an Email Marketing Machine: Gangnam Style

By, Chris Mexton    Reposted from KissMetrics http://bit.ly/12wQ2sH

You'd be pretty hard pressed to argue that PSY's Gangnam Stylehasn't been a runaway marketing success. With over 1 BILLIONviews on YouTube, Gangnam Style has firmly planted itself in our collective psyche.
Love it or hate it, I think we all can agree that we want that sort ofmarketing success for our businesses. One of the things that makes the best online marketers successful is their ability to creatively draw on marketing tactics and resources from many domains, not just the world of online business. The question you should ask yourself as an online marketer is: "Is there anything we can learn from the success of Gangnam Style?"
As it happens, K-pop (an abbreviation of Korean pop), which is South Korea's pop music industry, is pretty darn savvy when it comes to marketing, and there is a lot that goes into forming a K-pop supergroup. PSY's success is doubly interesting as he is not your typical K-pop artist.
After reading a ton about the world of K-pop, there are a number of ideas we can glean from it.
Here are three things I'll bet you don't know about the K-pop industry and what you can do with this knowledge to build your own email marketing machine.

1. Measure Absolutely Everything

The Verge recently did a massive feature on K-pop. One of the most interesting aspects of the article about it is the discussion ofCulture Technology. Culture Technology refers to the way in which South Korea's largest record labels attempt to design K-pop bands.
In their eyes, a K-pop group is not just a band but a brand. When auditioning for a new band, the top record labels run software simulations on potential group members to see how their voice and appearance will change in the next 3-7 years. They narrow down the applicants to a group they feel will be successful, and then they teach the group members to sing, dance, and even speak foreign languages.
In many cases, bands consist of 10+ members, allowing the labels to optimize and split roles, particularly when the band performs overseas, for example.
Why do they do this? To maximize their chance for growth and long term success. There's no business like show business, and K-pop clearly knows how to run the show!
What is most interesting about this is that it nicely correlates with running a successful online business. The key lesson here is to measure everything.
When it comes to our email marketing campaigns, there is a lot we can do to ensure we get accurate, actionable data.
In my experience, the best people in the email marketing biz ask themselves: "Are these emails driving the actions I want? Are they increasing my customer lifetime value?"
Not only should we pay attention to deliverability, opens and clicks, but also follow through, which customers actually convert, and which, ultimately, turn out to be the most profitable.
Only with this sort of granularity can you understand whichcustomer cohorts are best to go after, where you can improve your email marketing content, and where you should invest your marketing budget.
A popular email remarketing tactic is to collect customers' email addresses and send out a series of educational emails in order to build trust prior to making a sale. An extremely effective tactic, it does mean that, for most SaaS businesses, you will end up sending your customers somewhere between 5-18 emails from the time they start receiving your educational email campaign to the time they become a paying customer. (Email remarketing involves sending emails to customers based on what they do or don't do on your website.)
That's quite a lot of email, meaning you have a lot of room to optimize. Are customers engaging with your educational content? Are your open rates increasing? Could you get more action from your potential customers with a different call to action or a "Big Orange Button"? Do customers coming from this channel stick around longer than customers you acquire from other channels?
These are the questions you want to be answering if you plan to dominate your email marketing.
One of the most effective ways to know what on earth is going on is to tag your outgoing campaign links with as much detail as possible.
Both Google Analytics and products like KISSmetrics allow you to use URL parameters quickly and easily to see specifically what a customer is doing.
Here's a screenshot from one of KISSmetrics' epic infographicson customer lifecycle tracking:
For Google Analytics, you can do the same using UTM codes. Then, at a glance, you can see which campaign or variation is converting most effectively. And, with a little tweaking, you can drill down deeper and see sub-cohorts. (Did the user originally come via a Google search, Twitter, or some other channel?)
Using KISSmetrics' revenue tracking, you can go even further and understand exactly how your emails impact a customer's journey from initial visit to purchase. With that information, you will be able to determine if a campaign is actively working to increase your customer lifetime value over the long term.
Key takeaway: If you don't have this sort of granularity over your email marketing campaigns, set it up! It's not too hard to do if youfollow this great guide.

2. Test the Unexpected

In the world of highly-tuned K-pop bands, no one ever would have expected that Vivienne Westwood-wearing, horse-dancing PSY's Gangnam Style would become the phenomenon that it has.
In fact, I'm not sure anyone anywhere would have expected it!
Here are just a few unexpected things about PSY and Gangnam Style that initially made the song's success in either South Korea or the rest of the world unlikely:
  • He was educated in the US (he went to Berkley School of Music), and he wasn't part of the highly-measured K-pop process outlined above.
  • PSY's sense of style is unique and certainly different from most mainstream artists, in any genre.
  • Gangnam Style was released on YouTube without any copyright restrictions.
  • The video is, in many ways, completely bizarre.
  • The song is in Korean!
However, with a bit of reflection, we can see that all of those things have contributed to the genius and addictive nature of the song.
The point here is that, often, the unexpected works best.
One of the masters of this domain is content marketer, Matthew Inman of The Oatmeal. Take this title from a sign-up form on his blog:
Now that's how you put the unexpected to work. The first thought that runs through your head is "Ugh, what?" That is quickly followed by an almost uncontrollable urge to take action and find out more. Who wouldn't click-through on that form?
Embracing creativity when it comes to any form of online marketing is essential. For every 10 crazy A/B tests you do, it's likely that only one will give you significant gains. But, oh boy, will they be worth it.
Take the team at Strikingly.com. They've got a referral system they use to encourage engagement and source new customers. Having proved that the concept worked well for their target market, they began testing different concepts.
Want to see the change that increased referrals by 100%?
That's right, a dancing cat nailed it! If they weren't experimenting with all sorts of ideas, they wouldn't have found this winner.
When it comes to email marketing campaigns, the best examples of "quirky" content have, in fact, virtually become legend.
Take this classic example from Zappos below. Their post-purchase campaign informing customers that their order has been automatically upgraded to expedited shipping is a beautiful example of creativity at work.
Not only is the concept sound, but the copy and delivery here give the email a real kick. This email was frequently blogged about and mentioned online. It takes only a quick Google search to find plenty of customers praising Zappos' awesome customer service.
A good approach for coming up with winning campaign content is to try and change the way you tackle an extremely common campaign – something that is usually boring and completely run-of-the-mill.
Another, even more famous, example comes from Derek Sivers. Take a read:
Derek could have simply written: "Your order status has been updated and your order has been shipped," but instead he wrote this!
As Derek mentioned in his book, Anything You Want, googling "private CD Baby jet" will return many thousands of results (900,000 for me), which is evidence of the impact of his spur-of-the-moment creativity.
If this example doesn't provide the business case for A/B testing your transactional emails, then nothing will.
Key takeaway: Get creative, test the unexpected, and create some buzz!

3. Find Your Company's Voice and Be Yourself

From the streets of Seoul to The Ellen DeGeneres Show, PSY iseverywhere.
Partly thanks to the unconventional nature of PSY's wardrobe and dance, they have helped him shape his brand and have been a huge part of the continued success of his marketing juggernaut.
Once you've begun testing and started to find what works for your business, you need to stick with it and give your email campaigns a unique voice – you need to rock your own attitude.
The Zappos example above contributes perfectly to their reputation for insanely awesome customer service. This is something they've built up through consistent communication with their customers and by constantly impressing people with their attitude.
Remember: great marketing is about connecting with customers. You need to be personable and consistent and build trust over time.
Dropbox injects this sort of personality into all of their customer communication. This particular example is sent to customers who sign up but then do not set up Dropbox within a few days. Like their website, the product itself, and their updates, this campaign is clean and lighthearted. It not only drives the correct action from their customers (install Dropbox!) but contributes to customers' perception of Dropbox as a business.
Another example of consistency of attitude is AppSumo. Much loved by their customers, Noah Kagan and the team have done an awesome job of building a loyal fan base. A huge part of this is off the back of the way they communicate on their website, in their emails, and even in overlooked places…like this awesome unsubscribe page.
A third and final example comes from Atlassian. This landing page is quirky, creative, and a great reflection of the company's attitude and culture. This isn't your standard WordPress "give me your email address" landing page. Atlassian is well known for their awesome customer service and sense of humor, and their marketing team tries to reflect that in everything they do.
Key takeaway: Where can you re-write your landing pages and email copy to reflect your company culture and infuse some attitude?

It Ain't All Dancing!

Online marketing is about connecting with your customers and measuring everything you can about your marketing efforts.
When it comes to email marketing, you must ensure you're tracking all of your core email metrics and the true impact these emails are having on your conversion and revenue metrics.
Use your email marketing tools in conjunction with Google Analytics and KISSmetrics, and you'll be able to build a framework that lets you experiment with sharing your voice and fresh creative marketing ideas in order to uncover huge improvements in your conversion rates!
What crazy / unique / challenging email marketing ideas have you used or seen? How do you use email marketing and analytics tools to ensure your numbers are spot on?
About the Author: Chris Hexton is a co-founder of email remarketing software Vero. He spends his days helping online businesses optimize their email marketing and use it effectively to maximize their profit. You can catch him on Twitter via @chextonand @veroapp. He'd love to talk with you!



Monday, February 11, 2013

Social media stats that every marketer should know


Whatever form of marketing you use, you should always know who your audience is and where they hang out, online or offline.
It's a theme that's repeated throughout many of the articles you'll read on this site, and if we ever met in person it will come up in conversations. Half your marketing problems can be solved by knowing the answer to the above two questions. Yet I still hear social media marketers telling small businesses "you MUST be on Facebook" or "You have to be on G+" and the truth is that's a crock of crap being spouted by wannabee social media experts. You have to be where your audience are, it's as simple as that.
I'm not going to remind you to buy my book again, Zero to targeted marketing, you already have a copy and it's gathering dust on your Kindle app as we speak. So I'm going to share a whole heap of stats with you, and maybe that will convince you.
If  your ideal customer is Female, based in the US with a college education you'll find her around 9pm on Pinterest most evenings. Anywhere else is a waste of your time and money. See, stats are useful when it comes to not only finding our audience but also in educating us about their habits and their actions. And when we have all of this, we can become much better marketers. In fact it won't feel like marketing at all.
In a world where social media is quickly becoming ubiquitous, it's crucial for marketers to stay ahead of the curve. Remember more people have mobile access than people have PCs and laptops, so if you are not mobile responsive then you are blowing money down the tube.
By understanding who uses social media and how they use it, you can tailor your marketing efforts to better reach your audience.

The Brand YOU: Your Bio by: Brian Kush,

The Brand YOU: Your Bio

by: Brian Kush, reposted from: http://ow.ly/hBbbU

Personal branding is about promoting what makes you unique and what allows you to stand out from the crowd. A major piece of branding is creating your professional “bio” or biography. That bio is, after all, a specific place to capture your “story” …. so it is personal.

For many CPAs, your bio is likely already on the web and accessible by anyone and anywhere. Since it is so accessible, it presents a nice branding opportunity – to spread your message about the value you provide and the opportunities you want to attract.

When reviewing your bio, consider three Cs of personal branding – Compelling, Consistent and Clear:

Make your bio COMPELLING and answer the following questions:

WHOM do you specifically help? What kinds of people? What types of businesses?
WHAT challenges do you help them solve?
HOW do you help them? What is it you uniquely “bring to the table” to help them solve their challenges?
WHAT do your specific skills allow them to do? What is the benefit to them? Do you save them time, money orpain, or bring them joy or success?
HOW have you acquired these skills? Why are you credible? This is the his“story” part of your bio where you can provide your experience and relevant accomplishments.


Make your bio CONSISTENT.
If someone visits your organization’s website and reads your bio and then finds you on a social network with a profile that describes a completely different person, you have created brand confusion!

Tip: create one master biography and use it to create your shorter bio and all your profiles instead of doing it the other way around. Google yourself and compare your profiles and bios. Do they send an overall consistent message about what you want to be known for and what distinguishes you from everyone else?

Make your bio CLEAR.
Harry Beckwith, the author of You Inc., The Art of Selling Yourself, says, “What convinces people that you excel? Your clearest evidence is just that: clearness.” Be direct. Get to the point. If you cannot articulate your expertise in a concise and clear manner, then how can you be an expert in your field? Attention spans are dwindling. Even your “long bio” should not be much more than half a page.

Additional Tips

Keep it fresh: update your bio as often as it needs to be so that your message is current. A stale bio sends a message about your brand.

Consider a call to action: decide what you want the readers of your bio to do. Is it just to view you as credible or would you like them to take action? If you want them to follow you, such as via a blog or Twitter, ensure that information is in your bio.

Test it for authenticity: what is the most important thing about any item you use to promote your brand? It needs to be authentic. You need to feel it. You need to own it. Read your draft bio out loud to an audience. If it comes from your heart, if it is truly “on-brand,” then your audience will know that when you read it. And you will know it too.

Brian Kush, CPA, CLC, President, Moxie Partners. Brian is an ICF certified coach, and specializes in leadership, executive presence, and personal branding coaching. He works with executives, entrepreneurs, and aspiring professionals in a personal coaching relationship to challenge them to show up as the biggest version of who they already are, and get the new results THEY want.

6 Lessons In Launching a Branded YouTube Channel

6 lessons in launching a branded YouTube channel

By: Michael Estrin, reposted from http://ow.ly/hBbvO

Everywhere you turn it's hard to escape the idea these days that brands are becoming publishers. Or at least, it's hard to escape the idea that brands are trying to become publishers.

Only time will tell whether this is a new paradigm or a passing trend. But whether we're talking about Facebook pages, Twitter feeds, or even a plain vanilla website -- how old fashioned! -- the conversation has shifted toward a heavy emphasis on content that brands either produce or curate and then distribute on their very own platform, bypassing a media intermediary.

The idea, in a nutshell, is that brands of all categories must adapt to the new publishing model and morph into something akin to their entertainment cousins if they are to survive and thrive in a media environment where it gets harder everyday to capture a consumer's attention. Brands that had their own YouTube channels were viewed as cutting edge 18 months ago -- or maybe even a little beyond the cutting edge. Today, few people ask whether a brand should have a YouTube channel. Instead, the question is, what should a brand do with its YouTube channel?

While that's ultimately a question for each brand (and the agencies that handle their business) to answer, there are several larger questions brands should be asking about their YouTube channels. After all, a handful of brands are clearly engaging as if they've been in the content business for years, but many more are quite obviously stuck in neutral. So to help your brand take a look at its YouTube channel with fresh eyes, I've asked several agencies to share what they believe are some of the fundamental concerns to focus on when planning a YouTube channel.

Start with the basics

In a lot of ways, there's nothing quite like YouTube. But from a marketing perspective, it's important to approach YouTube as you would any other campaign, explains John Montgomery, CEO of Threshold.

Montgomery advocates approaching the idea of a branded YouTube channel with the following fundamental questions: "Who is your target audience, and what types of content do they seek out? What does your brand stand for, and what content is a natural extension of your brand's DNA? What are your overall marketing goals, and what do you hope a YouTube strategy will accomplish for you?"

Often times, the answers to these questions will dictate strategy. But just as important, they can help focus your team around a larger question: Should we have a YouTube channel?

That question may seem like heresy in a world where it's now assumed that all brands are -- or should be -- content producers, but the truth is a little more nuanced, and what works for one brand may not work for another. Or, put another way: It may be true that all brands need to think like publishers, but not all publishers produce the same material on the same platforms.

"With the various types of content that you can produce, and that are invariably popular on YouTube (short-form humor, episodic webisodes, TV ads, DIY videos, product tutorials, kitties doing pretty much anything, etc.), it is key to establish a long-term plan for the type of voice, tone, and purpose that your brand will commit to," Montgomery says. "Purpose is one of the most important filters, because you will need to decide if you are trying to entertain, inform, educate, or inspire your budding audience."

Have a strategy, make a plan

It may sound surprising, but many brands still use their YouTube channel as a holding place for repurposed television spots and one-off videos that may or may not have earned the brand much attention. But while it's nice to see the brands on YouTube, Christopher Kingsley, CEO of 42, says brands need to do more than just put their content on YouTube.

"Individual or one-off videos produced for YouTube can be great, but having a comprehensive content strategy that covers how YouTube...

Sunday, February 10, 2013

12 Rules to Choose the Right Domain Name

12 Rules to Choose the Right Domain Name

Posted by  to Technical SEO Issues, reposted from: http://www.seomoz.org/blog/how-to-choose-the-right-domain-name

A long time ago, I wrote a post on domain name selection that's sorely in need of an update. Time to deliver...

For 99% of the projects we take on, a domain is already part of the equation. However, in some circumstances, we've been called on to provice advice for naming a domain, either for a new blog, a company launch or even just a friend's website. Below, I've listed 12 tips I find indispensable when helping people select a great domain name.

Brainstorm 5 Top Keywords
When you first begin your domain name search, it helps to have 5 terms or phrases in mind that best describe the domain you're seeking. Once you have this list, you can start to pair them or add prefixes & suffixes to create good domain ideas. For example, if you're launching a mortgage related domain, you might start with words like "mortage, finance, home equity, interest rate, house payment" then play around until you can find a good match.

 
Make the Domain Unique
Having your website confused with a popular site already owned by someone else is a recipe for disaster. Thus, I never choose domains that are simply the plural, hyphenated or misspelled version of an already established domain. I still believe that Flickr desperately needs to buy Flicker.com - I hear kids in their 20's tell parents in their 40's and 50's to see photos on Flickr and always envision that traffic going straight to the wrong domain.

 
Only Choose Dot-Com Available Domains
If you're not concerned with type-in traffic, branding or name recognition, you don't need to worry about this one. However, if you're at all serious about building a successful website over the long-term, you should be worried about all of these elements, and while directing traffic to a .net or .org (as SEOmoz does) is fine, owning and 301'ing the .com is critical. With the exception of the very tech-savvy, most people who use the web still make the automatic assumption that .com is all that's out there - don't make the mistake of locking out or losing traffic to these folks.

 
Make it Easy to Type
If a domain name requires considerable attention to type correctly, due to spelling, length or the use of un-memorable words or sounds, you've lost a good portion of your branding and marketing value. I've even heard usability folks toute the value of having the letters include easy-to-type letters (which I interpret as avoiding "q," "z," "x," "c," and "p").

 
Make it Easy to Remember
Remember that word-of-mouth and SERPs dominance marketing (where your domain consistently comes up for industry-related searches) both rely on the ease with which the domain can be called to mind. You don't want to be the company with the terrific website that no one can ever remember to tell their friends about because they can't remember the domain name.

 
Keep the Name as Short as Possible
Short names are easy to type and easy to remember (the previous two rules). They also allow for more characters in the URL in the SERPs and a better fit on business cards and other offline media.

 
Create and Fulfill Expectations
When someone hears about your domain name for the first time, they should be able to instantly and accurately guess at the type of content that might be found there. That's why I love domain names like Hotmail.com, CareerBuilder.com, AutoTrader.com and WebMD.com. Domains like Monster.com, Amazon.com and Zillow.com (whom I usually praise) required far more branding because of their un-intuitive names.

 
Avoid Copyright Infringement
This is a mistake that isn't made too often, but can kill a great domain and a great company when it does. To be sure you're not infringing on anyone's copyright with your site's name, visit copyright.gov and search before you buy.

 
Set Yourself Apart with a Brand
Using a unique moniker is a great way to build additional value with your domain name. A "brand" is more than just a combination of words, which is why names like mortgageforyourhome.com or...

The Value of Social Media

The Value of Social Media

We’ve spoken about how valuable social media is to brands for connecting with consumers before. For all the apps, self promotion and links you include on your Facebook or Twitter page, you also have to deal with the day-to-day tasks such as dealing with queries, suggestions and complaints. Turns out it’s the latter that will have the greatest impact on whether they go ahead with a purchase or not if the results of a new survey is to be believed.

The report, which looks at consumer attitudes and preferences towards consumer services, found that more than eight in ten consumers (83 per cent) who regularly use social media have bailed on a purchase because of poor service experience. For those who haven’t used social media for customer service, 49 per cent of consumers failed to complete a purchase due to poor customer service.

Another important aspect to take from this survey is that consumers who use social media for customer service are also the most vocal in both their praise and criticism. When consumers have had a good customer service experience, they would tell an average of 42 people about their experiences.

However, when it’s a bad experience, this average rises to 53 people. When it’s consumers who don’t use social media, the trends remain the same but the average number of people told greatly falls; an average of 9 people are told when it’s a positive experience and an average of 17 people are told when it’s negative.

Lessons To Learn

The obvious thing to take from this survey is that those people on social media are, by far, the most vocal demographic to deal with. Therefore, businesses and brands need to place a greater importance on promptness and openness, keeping the lines of communication between brand and consumer open and listening to what they have to say.

As American Express say in its report: “Consumers aren’t unreasonable and don’t expect every problem to be solved instantly. They simply want to be treated like individuals, know that you genuinely care about their issue, and are working hard to address it.”

Also, you should use the opportunity to address concerns and issues as a way of connecting with consumers and create a connection that will drive customer loyalty and engagement. Brands should keep this in mind as they improve their services and customer relations.

The survey was conducted in the U.S., Canada, Mexico, France, Germany, Italy, the U.K., the Netherlands, Australia, Japan and India. The survey took a random sample of 1,000 consumers aged 18 and over from each country and was conducted by Echo Research between February 22nd – 29th 2012.

Brand Building & the Impact of Social Media

Brand Building & the Impact of Social Media

by , Reposted from marketingpilgrim.com  http://ow.ly/hzyYS

When asked about brand building strategies, marketers in a recent Forrester survey said that search and social media were neck-and-neck. Search won by a nose thanks to business to business marketers who rated social media lower than business to consumer marketers. But overall, it’s clear that social media is having a big impact.

Digging a little deeper we see that online video is hot with the B2B crowd (who knew) while mobile is the weapon of choice for B2C.

Social media is changing the way we sell everything from accordions to wildebeests, but marketing man can not live by Facebook alone.

Forrester’s “How Social Media Is Changing Brand Building” report points out that there are issues that keep social media from being the be all and end all of marketing. First, scalability. No matter how many Facebook fans you have, you’re still only reaching a small portion of the audience. Second, social media is fragmented. All those tiny bits of information getting passed by RT’s and shares, evolving and changing with every step. It can be easy to lose control of the message. Which brings us to number three: “a social strategy is only as good as the brand strategy behind it.”

We’ve talked before about how much of what we see in social media is spaghetti on a wall. Half of the B2C marketers Forrester surveyed said they weren’t sure how to capitalize on social media for brand building but you can bet that hasn’t stopped them from going all out.

There is no one way to succeed, but we do know that there are two critical points — trust and emotion. Social media campaigns are an excellent way to show your customers that you’re human. Use it to highlight the faces that make your company great, the good works you do for the community and the factors that motivate you to keep on going.

People like to buy from people. All things being equal, they’d rather buy a wildebeest from a family-run business who supports the local Little League team than a faceless corporation known for their environmental faux pas.

The most important line in the Forrester report is this: “social media is necessary but not sufficient for brand building.” Never lose sight of the fact that a good marketing campaign is made of a variety of components that all work together. Use Facebook to promote your YouTube video. Use YouTube to send people to your blog. Use your blog to close the sale.
http://ow.ly/hzyYS

Saturday, February 9, 2013

How to Be the Real You in Your Blog Writing

How to Be the Real You in Your Blog Writing

In September, I spent a week in Germany. I look German and even lived in the country as a child, but I speak the language only well enough to be dangerous. I can order a glass of wine, but then the charade ends.

My elderly aunt isn’t fooled. She has trouble understanding my ungrammatical babble.

“Was sprichst du?” (What do you speak?) she asks. “Hoch Deutsch (high German) oder Platt Deutsch (Low German)?” “Schlecht Deutsch (Bad German),” I reply. I speak well enough to get by, but not well enough to really say anything.

And that was the problem. After three days in Germany, I had no beliefs, no opinions, no personality. As a blog writer, I missed being able to express myself.

Having a platform that lets you communicate your personal brand is a rare gift. So go for it when you write your blog: Tell us what you think.

Say it in plain English. And celebrate who you are.

Get your personality across

Do this even if it’s abrasive. Especially if it’s abrasive.

If you’re writing authentically, your audience should know immediately that you authored a piece. My own style has been described as warm, witty, quirky. Whether you agree with that or not, you should be able to tell a piece is by me by the way I use words, by the positions I take, by the refusal to be serious for more than a few lines.

If your blog doesn’t sound like you, it’s time to rewrite until it’s genuine.

Take an outlandish position

Your blog gives you a chance to make a stand—so don’t wallow in the middle ground. Choose a position and defend it. I read a marketing blog post recently about Features and Benefits. For once, it did not say that every feature should also have a benefit. Quite the contrary. After hearing same old same old for years of copywriting, it was compelling to see a post that tore it all up.

Be that person—the one who opens eyes wide.

Don’t mince words

At dinner recently, a friend mentioned that his former wife had been in a car accident. Was it bad? our hostess asked. Not bad enough, he replied. OK, that’s cold, but we’re pretty clear how he feels about his ex-wife. So if you need to mince something, make it onions. Say it like you mean it. Forget the qualifiers and euphemisms.

If every word is a cloak for some more dastardly term, then you’re writing in another language.

Provoke disagreement

If you have a flock that follows you and it isn’t completely comprised of sheep, then engage them enough to disagree with you. Loudly, if necessary. I wrote a post once suggesting people use Readability Indices to make their posts more accessible to their audiences. One commenter said he’s tired of dumbing down his writing—and if his audience doesn’t understand it, he doesn’t want to talk to them anyway.

Bully for him.

Get rid of people

Go all the way—provoke disagreement to the point that readers unsubscribe from your blog. No one’s unsubscribing? You’re not trying hard enough. Sure, they’ll be there as long as you’re so bland they hardly notice you. Or don’t bother to read your blog. But when you unmask, they may recoil. Good.

Distance yourself from the people who simply tolerate you.

Keep the people who love you

In some ways, business relationships work the same way as personal ones. You want to keep the people close who love you no matter what. I have three friends who would stick with me even if I become an axe murderer—although one admits she’d be disappointed.

Ultimately you want blog followers so avid that they love you even when you quarrel and want to work things out. Those people will advocate for you like the blasé folks never will.

And that, my friend, is the start of a beautiful relationship.

Guest author: Diana Kightlinger is a professional print and digital copywriter and content writer for high-achieving businesses, from solo entrepreneurs to Fortune 500 companies. For more helpful info, like Eclipse Communications on Facebook and follow her on Eclipsewriter Blog....